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what are the soles of ur damir creepers made of, just crepe? thinking of getting a pair diy-d
Anonymous

yup, crepe.

medicinals:

Pablo Picasso
Fragment(s) of brick, 1962

medicinals:

Pablo Picasso

Fragment(s) of brick, 1962

(via persptive)

(via shuitsang)

kvnyns:

Fell into the East River in SLP

guess who had to take care of this drunken dumbass

Source: asianmovie
Source: last-orgy2
tim-sliwinski:

Rachel Goswell (Slowdive, Mojave 3)

tim-sliwinski:

Rachel Goswell (Slowdive, Mojave 3)

(via solsetur)

theleftist:

.episode no. ‘mixed yarn handknit black intarsia sweater’ 

theleftist:

.episode no. ‘mixed yarn handknit black intarsia sweater’ 

(via imuemu)

dekonstruktivisme:

Ann Demeulemeester autumn—winter 1998—99.
How do you suggest movement? How do you un-balance a body? How do you ‘cut’ a garment that challenges gravity? These question result, with Ann Demeulemeester, in clothes that evoke the illusion of movement, even when the wearer is standing still. Trousers slip down a little, a cardigan gapes open, a draped dress exposes a shoulder: mainly impressions of a casualness that would never betray the complicated study which was often required to achieve it. 
How can I make a collection from painter’s canvas? That was the basic question behind the Summer 1999 collection. This favourite material, which she had already used for invitations, displays and even tables, was ‘translated’ into an almost exclusively white collection. The shapes, developing further on those she started for the Winter 1998-99 collection, were conceived from what Ann Demeulemeester describes as ‘zero base’, the source of the ‘shape issue’; to set aside the repertoire of traditional patterns and to confront herself with the essence of a garment: a piece of material which you can wrap around yourself. 
This ever-recurring issue, and the difficult task she has set herself, seem to be Ann Demeulemeester’s raison d’être. A ‘de-depicted’ world, which allows entirely new ideas to develop, in which a simple intervention is all-important, in which nothing disrupts the investigation of the body, or wearability. And a world in which the whole gamut of emotions evoked by a garment — from surrender to rejection, from security to alienation — can be meticulously constructed …
The cloth is holy. 

dekonstruktivisme:

Ann Demeulemeester autumn—winter 1998—99.

How do you suggest movement? How do you un-balance a body? How do you ‘cut’ a garment that challenges gravity? These question result, with Ann Demeulemeester, in clothes that evoke the illusion of movement, even when the wearer is standing still. Trousers slip down a little, a cardigan gapes open, a draped dress exposes a shoulder: mainly impressions of a casualness that would never betray the complicated study which was often required to achieve it. 

How can I make a collection from painter’s canvas? That was the basic question behind the Summer 1999 collection. This favourite material, which she had already used for invitations, displays and even tables, was ‘translated’ into an almost exclusively white collection. The shapes, developing further on those she started for the Winter 1998-99 collection, were conceived from what Ann Demeulemeester describes as ‘zero base’, the source of the ‘shape issue’; to set aside the repertoire of traditional patterns and to confront herself with the essence of a garment: a piece of material which you can wrap around yourself. 

This ever-recurring issue, and the difficult task she has set herself, seem to be Ann Demeulemeester’s raison d’être. A ‘de-depicted’ world, which allows entirely new ideas to develop, in which a simple intervention is all-important, in which nothing disrupts the investigation of the body, or wearability. And a world in which the whole gamut of emotions evoked by a garment — from surrender to rejection, from security to alienation — can be meticulously constructed …

The cloth is holy. 

(via longtimething)

digitalstylistnetwork:

M: Julia Hafstrom, P: Andreas Sjodin, S: Lisa Lindqwister (Elle Sweden September 2014)

digitalstylistnetwork:

M: Julia Hafstrom, P: Andreas Sjodin, S: Lisa Lindqwister (Elle Sweden September 2014)

(via longtimething)

digitalstylistnetwork:

M: Laura Kampman and Robert Sipos, P: Laurie Bartley, S: Samira Nasr (Elle US September 2014)

digitalstylistnetwork:

M: Laura Kampman and Robert Sipos, P: Laurie Bartley, S: Samira Nasr (Elle US September 2014)

(via longtimething)

bouette:

studio zijspan

bouette:

studio zijspan

(via transfinitism)